Art and Architecture, A Synergistic Relationship :: Susan Swartz
Visual art has always taken inspiration from architecture; from The closeness of this relationship is less surprising when we consider that the. Hong Kong Institute of Architects. Lesson 1: Relationship between Art & Architecture. Introduction. The Essential Qualities of Art. The Essential . Art and architecture have long been partners in trying to create a balance in interior and exterior design. But, it's not just those aspects that form.
The formal qualities of artworks make them satisfying visual experiences, which adds considerable power to art. Size, scale, texture and value are all formal elements in art that contribute to a works meaning.
Size, scale and value are formal elements in architecture that enhance the meaning of a building. Reading the Content of Art and Architecture Content is an artwork's theme or message. Some aspects of content may be obvious just by looking at a piece, while other aspects must be learned.
Content is conveyed primarily in three ways: Through the artwork's subject matter Through interpreting or reading its symbolic or iconographic references that go beyond the subject matter By studying the art writings and cultural background that explain or expand the content of the work Subject matter is the most obvious factor in the content of an artwork.
ART TO ARCHITECTURE
What is the piece about? Through observation, you can grasp much about the subject matter of a piece by studying it's tones, textures and content. Subtexts are underlying themes or messages associated with a piece of art. Subtexts at the content of a piece. Iconography is a form of picture writing that uses images or symbols to express complex ideas. It can be embedded in architecture and in art as a way to express political, religious or genealogical messages.
Iconography in Art and Architecture Artists often use iconography to express religious beliefs in their work. Source Feminist Criticism as a Way to Critique Art In the late twentieth century, art critics used the philosophical position of feminist criticism to critique art and architecture. The various people who write about art and architecture as a profession, such as art critics, historians and academics contribute to the content of a work or a building.
Content is not fixed and permanent in artworks from the moment they are made. Rather, content is formed over and over gain, as each period reexamines and assess the work. Writers from different periods may have different interpretations of the same piece of art. Some art critics and writers base their work on their personal or subjective reactions to art.
Most influential critics however write from particular philosophical positions. The twentieth century saw a rise of five major positions from which most critics wrote.
Formalist criticism, popular in the min-twentieth century, emphasized the importance of formal qualities in art and architecture. Ideological criticism, popular in the late twentieth century, was rooted in the writings of Karl Marx, and dealt with political implications of art.
Structuralist-based criticism, also known as structuralism, studied the social and cultural structure of a work. Deconstruction holds that there is a multitude of meanings in any text, image or structure. Psychoanalytic criticism looks at art as the product of individuals who have been influenced by their own personal pasts, unconscious urges and social histories. The sculptor defies and contrasts constructional expectation with improbable playfulness in which sometimes very heavy steel elements are made to perform balletic tricks.
In architecture, aesthetic experience is bound up with use. It is practical rather than fine art in an Aristotelian sense, and has to refer to something other than itself.
What it feels like is a conflation of these different senses. One could also say that the forms of these kinds of artefacts really are determined by their use — form really does follow function.Steven Holl Interview: Spaces Like Music
The relationship between form and function is much less determinate, and the functions that determine the form may not be obviously utilitarian. For example, to take a current project of mine, the redevelopment of the BBC, the function that determines the circulation routes, lifts, stairs and break-out areas and their relationship to the news room at the heart of the building and of the organisation is symbolic and social.
Meaning Behind Art and Architecture | Owlcation
To sustain the idea of a great broadcasting community all these areas visually and physically interlock so that people are aware of and meet each other as they move about. This is a definition of function, but I hope it will lead to an aesthetic experience. They create an unprecedented repertoire of compressed spatial exploration.